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We’ll say one thing for ‘Dirty Rotten Scoundrels’ – they’re always well dressed…

Charlie Thomas examines Michael Caine and Steve Martin’s sartorial one-upmanship in one of the most charming movies of the 1980s

Arnold Wong’s Mythical W.F. Mealli Jacket

We meet with Hong Kong-based vintage aficionado, Arnold Wong, to learn a little more about his most precious possession and his approach to men’s style

Cut from the right cloth

Why we think you should be an Anthologist

The Anthology’s co-founders, Buzz Tang and Andy Chong, are building one of the most exciting international tailoring brands of today. We sat down with them to explore the brand’s roots, its philosophy on bespoke, and its approach to fine shirtmaking

Milad Abedi on Stockholm and Gothenburg

One of our favourite men’s style photographers talks to us about how he approaches his work, and brings his insider knowledge to bear on two Swedish cities he calls home

Casablanca: a lesson in ivory eveningwear

There are many claimants to the best Black Tie looks in movie history, writes Charlie Thomas, but nothing quite beats Bogart’s pitch-perfect ivory dinner jacket

Thomas Sandell: Designed for life

One of Sweden’s foremost architects and product designers, Thomas Sandell of Sandell & Sandberg, shares some life lessons he’s accrued over the course of his 30-year career

Cut from the right cloth

Budd Shirtmakers – Making The Case For Tradition

Budd Shirtmakers might only be a small shop in London’s West End, but it’s a British shirtmaking institution. We sat down with one of the house’s bespoke cutters, Darren Tiernan, to learn a little more about Budd’s winning formula

An Ode to The Overshirt

Our style columnist, Aleks Cvetkovic, explores what makes the humble overshirt such a popular menswear staple – and why you should try one, if you haven’t

Cut from the right cloth

Swann Custom Shirts, a Shirtmaker Built For Today

Swann might be a small boutique in Paris’s VIII Arrondissement, but co-founders Thibault de Drouas and Vincent Colin are making a mark on modern French menswear

Pierre Mahéo’s favourite parka

In this series we ask stylish men to talk us through a precious piece of vintage menswear. Here, Pierre Mahéo, founder and Creative Director at Officine Générale, talks to us about his design philosophy, his approach to brand building and the story behind his favourite coat

Pulp Fiction: Why we can all learn a thing or two from Uma Thurman’s white shirt

It goes without saying that the white shirt is a wardrobe staple, but in cult movie classic Pulp Fiction, it becomes an icon. Our film correspondent, Charlie Thomas, explains why…

Bold as brass

We meet one of New York’s foremost jazz musicians, trumpeter and pianist, Keyon Harrold. He re-flects on his early career, honing his craft, and what it takes to find your voice as a musician today

Cut from the right cloth

Geneva Custom Shirts: Old School Talent in New York

We visit Gene Athanasatos, cutter and owner at Geneva Custom Shirts, a New York menswear institution and a testimony to honest, old-school craftsmanship

An artist’s guide to London, with Jonathan Lawes

In the first of a series of city guides, we meet with Jonathan Lawes, the South London printmaker who brings you his guide to some of the capital’s least known gems

Cut from the right cloth

Turnbull & Asser’s Quiet Evolution

Aleks Cvetkovic sits down with Turnbull & Asser’s Creative Director, Becky French, to get the inside track on how one of Jermyn Street’s oldest shirtmakers is freshening up its act

Beyond Blue and White: Some fresh thoughts on formal shirts

In the first of six columns Aleks Cvetkovic thinks through some colourful alternatives to a wardrobe filled with conventional blue and white

Michael Hill on his father’s cardigan

Clothes that stand the test of time often have a story to tell. In ‘Well Worn’ we ask stylish men around the world to talk us through a precious piece of vintage menswear. Who better to start with than the Creative Director of Drake’s, Michael Hill?

Colour, depth and darkness: tailoring in The Great Beauty

Sure, the colourful Italian tailoring in Paolo Sorrentino’s Oscar winning film The Great Beauty is good looking, but the genius of the movie lies in its wardrobe’s deeper meaning, as Charlie Thomas explains

A letter from the Albini family

The Albini family takes a moment to introduce our new editorial platform, and to welcome you to the world of Thomas Mason

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When it comes to wearing an overshirt, it pays to keep things simple. Thrown over a button-down and chinos, it’ll make for a chic outer layer, all the better to use its plentiful pockets. Its sheer usefulness is, above all, the overshirt’s greatest strength. Want some inspiring ideas for your next overshirt? ⁠
Read the article at the link in bio.⁠
#thomasmason #overshirt #styleadvice⁠
⁠

If you’ve yet to try an overshirt, think of it as a relaxed alternative to a sports coat. Heavy brushed cotton flannels are great in winter, while in summer, linen plain weaves or soft linen/cotton blends come into their own. Certainly, if you choose to wear one or two in Thomas Mason cloth, we’ll wager you’ll fall for it too.⁠
Discover more at the link in bio. ⁠
#thomasmason #overshirt #styleadvice

“An Ode to The Overshirt” ⁠
Our style columnist, @aleks_cvetkovic explores what makes the humble overshirt such a popular menswear staple – and why you should try one, if you haven’t. ⁠
Read the full article on our website. Link in bio.
#thomasmason #overshirt #styleadvice
Illustration by @adamlnickel

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